Strings and Sips: Bach Guitar Transcriptions with Riesling Elegance

Every Saturday, when possible, I enjoy settling in to listen to a classical guitar album paired with a fine wine. This week I am drawn to the works of J.S. Bach on the album J.S. Bach Guitar Transcriptions by the fine guitarist Enno Voorhorst. To pair Bach with anything other than the most famous wine from Germany, Reisling seems too offensive. Therefore, the treat this weekend is Dr. Heidemanss Bernkstel Badstube Riesling Auslese, 2021. Even if you cannot enjoy this wine, then find something close and settle in for an evening of delight brought by Voorhosrst and Bach.

Table of Contents

Short Bio Of Enno Voorhorst

For those unaware, Enno Voorhorst is a highly accomplished and renowned classical guitarist hailing from the Netherlands. Born on June 30, 1962, in The Hague, his exceptional talent and dedication to his craft have established him as a prominent figure in the world of classical guitar.

Voorhorst’s musical journey began at a young age when he started studying guitar. He displayed remarkable aptitude and a deep passion for the instrument, eventually leading him to pursue formal training at the Royal Conservatory in The Hague. There, he honed his skills under the guidance of renowned guitarists and educators, developing a profound understanding of technique, interpretation, and musical expression.

Acclaim and Performances

Throughout his career, Enno Voorhorst has garnered widespread acclaim for his masterful interpretations of classical guitar repertoire, spanning from early music to contemporary compositions. He is particularly known for his exploration of transcriptions, adapting pieces originally composed for other instruments or ensembles into compelling guitar renditions. His interpretations often showcase his impeccable technique, refined musicality, and distinct ability to convey the emotional nuances of the music he performs.

Enno Voorhorst’s performances have taken him to prestigious venues and festivals across the globe. He has collaborated with orchestras, chamber ensembles, and fellow musicians, contributing to a diverse range of musical projects. Additionally, his discography includes numerous albums, each reflecting his dedication to presenting a rich tapestry of musical styles and eras through his guitar playing.

Voorhorst’s artistic contributions extend beyond the stage. He is also an esteemed educator, sharing his expertise with aspiring guitarists through masterclasses and teaching engagements at various music institutions. His pedagogical approach emphasizes both technical proficiency and the development of a personal musical voice.

J.S. Bach Guitar Transcriptions

Enno Voorhorst’s interpretations of classical guitar music, including his exploration of J.S. Bach’s guitar transcriptions, have captivated audiences and fellow musicians alike. His profound musicality, technical prowess, and commitment to the beauty of the guitar as a medium of expression have solidified his position as a respected figure in the world of classical music.

Today, Enno Voorhorst continues to inspire and delight audiences with his performances, recordings, and contributions to the realm of classical guitar, leaving an indelible mark on the musical landscape.

J.S. Bach Guitar Transcriptions by Enno Voorhorst

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Enno Voorhorst’s remarkable album “J.S. Bach Guitar Transcriptions” is an exquisite tapestry of Johann Sebastian Bach’s masterful compositions, expertly adapted for the classical guitar. With meticulous attention to detail and a deep understanding of Bach’s musical language, Voorhorst takes listeners on an enchanting journey through a selection of works that demonstrate both his virtuosity and his profound interpretation.

Flute Partita in A Minor, BWV 1013

The album opens with the ethereal “Flute Partita in A Minor, BWV 1013,” a delicate piece that showcases Voorhorst’s ability to evoke the subtleties of a flute’s timbre on the guitar. His nuanced phrasing and meticulous control over dynamics allow the listener to revel in the intricate counterpoint and the expressive dialogues between voices that define this piece.

Prelude in E Major, BWV 854

The transition to the “Prelude in E Major, BWV 854” from Bach’s “Well-Tempered Clavier” is seamless, illustrating Voorhorst’s skill in weaving together diverse musical colors. The guitar’s resonance is artfully employed to bring out the essence of Bach’s harmonies, and Voorhorst’s interpretation strikes a delicate balance between reverence for the original keyboard work and the guitar’s own unique voice.

5 Little Preludes, BWV 933-938: Prelude No. 4 in D Major, BWV 936

The inclusion of the “6 Little Preludes, BWV 933-938: Prelude No. 4 in D Major, BWV 936” adds a charming dimension to the album. Voorhorst’s performance exudes an air of simplicity and grace, emphasizing the purity of Bach’s melodic lines. This rendition captures the miniature jewel-like quality of these preludes, making them shine brightly in the guitar’s warm embrace.

Capriccio sopra la lontananza del suo fratello dilettissimo, BWV 992: III. Adagiosissimo

The “Capriccio sopra la lontananza del suo fratello dilettissimo, BWV 992: III. Adagiosissimo” stands as a testament to Voorhorst’s ability to convey deep emotion through his playing. The piece’s poignant melancholy is beautifully communicated, creating a moment of introspection and reflection that lingers long after the last note has faded.

Concerto in D Minor, BWV 974

In the “Concerto in D Minor, BWV 974,” Voorhorst’s guitar transports listeners into the realm of a full orchestral experience. His interpretation of the concerto’s vibrant and intricate movements captures the spirit of Bach’s compositions while showcasing the guitar’s remarkable versatility in emulating diverse musical textures.

Sonata in G Minor, BWV 1001

The album reaches its zenith with the “Sonata in G Minor, BWV 1001,” originally composed for solo violin. Voorhorst’s virtuosity shines in this formidable work, navigating its complex contrapuntal lines with elegance and precision. His rendition preserves the emotional depth of the original, creating a transcendent experience for the listener.

Enno Voorhorst’s “J.S. Bach Guitar Transcriptions” is a tour de force that illuminates the genius of both Bach and Voorhorst himself. Each piece on this album is a testament to Voorhorst’s technical prowess, interpretive sensitivity, and deep connection to the music. With this album, Voorhorst not only pays homage to Bach’s enduring legacy but also establishes himself as a luminary in the realm of classical guitar interpretation. For aficionados and newcomers alike, this album is an absolute treasure trove of musical brilliance.

Let’s Pair Some Wine with the J.S. Bach Guitar Transcriptions

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Dr. Heidemanns Bernkastel Badstube Riesling Auslese, vintage 2021

The Dr. Heidemanns Bernkastel Badstube Riesling Auslese, vintage 2021, is a symphony of flavors that showcases the very essence of a well-crafted Riesling. Hailing from the renowned Bernkastel region in Germany, this wine exemplifies the combination of terroir, meticulous winemaking, and the unique qualities of the Riesling grape.

Upon pouring, the wine presents itself with a pale golden hue, hinting at the freshness and vibrancy within the glass. The aroma is a delicate dance of orchard fruits, with notes of ripe peaches, juicy apricots, and crisp green apples. These aromatics are accompanied by subtle floral undertones, reminiscent of blossoming gardens in the spring (oh how I love spring!).

Tasting Notes

On the palate, the Riesling’s signature acidity takes center stage, providing a refreshing and lively foundation. The sweetness level, characteristic of an Auslese, is beautifully balanced by this acidity, creating an interplay that delights the senses. The initial burst of sweetness is reminiscent of honeyed nectar, accompanied by a cascade of fruit flavors that mirror the nose – luscious peaches, succulent apricots, and a medley of citrus fruits.

What truly distinguishes this Riesling is its exceptional clarity and precision. The wine unfolds on the palate with a remarkable purity, allowing each flavor to shine individually while seamlessly harmonizing with the others. This creates a sensation of layers unfolding – a testament to the craftsmanship behind this bottle.

The Finish

The finish is nothing short of elegant, leaving a lingering impression of the wine’s fruitiness with a touch of minerality. This mineral edge adds depth and complexity, reminding us of the wine’s origins in the Badstube vineyard – a site known for its unique soil composition and contribution to the wine’s character.

The Dr. Heidemanns Bernkastel Badstube Riesling Auslese, 2021, is a wonderful wine that encapsulates the allure of a well-balanced Riesling. It embraces the sweetness without sacrificing the varietal’s characteristic acidity, resulting in a wine that is harmonious, vibrant, and immensely enjoyable. Whether sipped on its own as a contemplative indulgence or paired with the right dish, this Riesling is a testament to the winemaker’s art and the captivating allure of German terroir. Enthusiasts of Riesling and those seeking an exceptional wine experience will undoubtedly find delight in this offering.

Conclusion

Riesling is one of those wines I have had to learn to appreciate. This one from Badstube does not disappoint. The delicate flavors go well with the delicate balance required in performing Bach. I look forward to enjoying this wine in the future, with or without Bach. In that case, I will enjoy Bach with or without the Riesling as well!

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Chadwick Becks

I have two degrees in guitar performance and was privileged to study under Aaron Shearer, Tom Kikta, David Skantar, Ken Karsh, Tim Bedner, and currently Christopher Berg. Outside my editorial work on this blog, I teach full-time across many genres including classical, jazz, blues, rock, funk, and metal.